Priscila Fernandes' work – installations, painting, photography, books – is rooted in an ongoing research into education, play, and the dialectics of work and leisure. Through a speculative and fictional approach, her work raises concrete questions about the idea of individual and collective freedom, especially in the context of the widespread precariousness of work in our society.

Priscila has a decade of experience in running an art in residency program at Het Wilde Weten in Rotterdam, as well as Heads of Department of BEAR, the Fine Art BA of ArtEZ University of the Arts, in Arnhem.

Wandering through forests, heaths or gardens, sailing on seas and brooks, by boat, by raft or digitally, deep into history and creating visions of the future, Edward Clydesdale Thomson is always searching. It is not about finding one specific thing, but about the process of exploring and learning, time and again, and never doing the same thing twice.

Edward has experience in running an art in residency program at Het Wilde Weten in Rotterdam, as well as Heads of Department of BEAR, the Fine Art BA of ArtEZ University of the Arts, in Arnhem.

Loes Heebink lives and works as a visual artist since the 1980s in Drenthe as home base, with national and international exhibitions and residency experience. She was the initiator of the Artist in Residence program KiK, where the new initiative Kunstwerk Kolderveen now takes place.

Digital development

Petros focuses in 3D visualizations, with a preference for procedural workflows. In his approach to digital world-building, he focus on lighting, compositing, and visual effects, driven by a desire for deeper insight into nature’s intricate structures.

Workshop and analog development

In his exploration of physical materials, Teune Derks uncovers the nuances of each material through experimentation, learning about their unique properties and numerous applications along the way. He delves into collecting, heritage and reuse, shedding new light on common materials. Grounded in his preference for traditional craftsmanship and manual labor, he revives old methods to create new objects.

Illustration & Research

Joakim focus on illustration and research. As a visual artist the work is a road and he follow it, leaning onto my pen similar to a walking stick. Poking in the ditches, feeling holes in the asphalt and crossing puddles with a leap. Ideas are given associative or suggestive form through the sequential or the fragmented. His sketches lay out a path of lines followed by others. A journey taken together and manifested in digital or analogue form.

Project Manager

I am an interdisciplinary artist creating interactive sculptures and installations designed to engage a wide audience, particularly in public spaces. My work focuses on finding common ground and developing it into accessible art that encourages public interaction. Over the past five years, I founded and directed Stichting MOC, or Moshpit of Creation. A foundation providing workspace for creative professionals, which has greatly enhanced my ability to adapt to diverse environments. My practice spans social engagement, sculpture, and facilitation, aimed at supporting both my work and the needs of other artists.

Studio Manager

Francisca Snel explores the evolving relationship between individuals and their surroundings through a research-driven and experimental approach to design. Bridging analytical thinking with artistic expression, her work reflects a commitment to provoking thought and action around our shared responsibility for the planet and one another. As a studio manager at Foundation Landfall, Francisca provides organizational support and guidance, ensuring the smooth realization of the foundation’s diverse projects.

Project Manager | Fundraiser

I am a curator and educator based in Amsterdam. As an independent curator, my current interests include rearranging difficult political narratives, exploring radical education, and experimenting with mental healthcare. I work as a lecturer in Curatorial Studies at the MA Fine Art program at HKU, University of the Arts Utrecht. I have collaborated with various institutions, including the V-A-C Foundation/GES-2 (Moscow), Ujazdowski Castle Center for Contemporary Art (Warsaw), Tale of a Tub (Rotterdam), Oude Kerk (Amsterdam), Württembergischer Kunstverein (Stuttgart), Nest (den Haag), the Latvian Center for Contemporary Art (Riga), amongst others. In 2019, I was a member of the core group of curators for the Bergen Assembly, "Actually, The Dead Are Not Dead," in Bergen, Norway.